This Floating Excrement Was Far Too Meaningful! It's the Television Disappointments of the Past Year.
Looking back, we reflect on the TV landscape of the recent year, a selection of series stand out not for their excellence, but for their spectacular failures. Ranging from awkward spin-offs to bafflingly poor documentaries, here are the programmes that left us utterly bewildered or simply reaching for the remote.
And Just Like That
Where to begin with this love/hate spin-off? Burdened with dreadful writing, painful character development (justice for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the series struggled to find its footing. Briefly, as the final season started, it seemed as if it had finally hit its stride. Then arrived an episode all about Seema’s natural deodorant. Little surprise the showrunner announced this would be the final series. It ended on a low point; the closeup of Miranda’s loo flooded with poo was simply too on-the-nose. Still, viewers undeniably had a hoot dissecting every single “what on earth?” moment. And as Carrie – a single woman once more – twirled around her palatial townhouse to Barry White, who couldn't let out a small sob?
The Kim Kardashian Drama
‘Can Kim Kardashian act? The answer is a resounding no.’
But that was practically the smallest of this drama's problems. The recipient of a exceedingly uncommon zero star assessment, it was difficult to know where to begin enumerating the flaws. The laughably leaden dialogue? The mind-numbing glorification of affluence and consumption? The almost deliberate parade of cliches? Acting so bad they felt almost malicious? Let’s just say “each and every one” and forget about this series again. However, a second season has been ordered, so we’re likely going to have to.
The Charlie Sheen Documentary
Given the legal troubles, domestic violence allegations and fatherly shortcomings, it’s reasonable to say Charlie Sheen has been a bad boy. Not you’d really have gleaned it from this three-part documentary which smirked its way at Sheen’s various episodes of self-destructive hedonism while struggling to tell us anything we didn’t already know. Rather, it felt as if this loose cannon was being pandered to, so any pity this show might induce should be saved for the people who have had to endure proximity with this charming but flippant narcissist.
The Iris Affair
Of course we understood it was preposterous from the outset: a drama about a AI known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We stuck with it out of sheer love for its stars … but by the end, it felt like even they had given up trying. One scarcely cared when his character died, and the other ultimately hacking Charlie with an axe … in super slow-motion. Talk about giving up the ghost.
The Gangster Drama
Dodgy characters convening in empty boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its crime drama back.
In truth, that is unfair on the gangland dramas of the late 90s. Many look a little old-fashioned now, but at least they didn’t endure the ignominy of having to indulge unconvincing accents. But there were plenty of other problems. Mainly that it was just really dull; a dispute over drug-selling territory between various London rogues which felt rather simplistic.
The Meghan Markle Series
Considering the extent to which she provokes the ire of the nation’s performatively angry commentators, it’s almost tempting to applaud the Duchess of Sussex’s televised ventures into quaint homemaking as intentional statements. But then you watch them and are compelled to concede that in this case, they might have a point. It’s like watching a homeware catalogue come to life; a meme for evening drinks with ideas of grandeur; a parade of snoozing dogs, humming beehives, sentimental sayings and forgettable crafting “tips” you’ll forget instantly. All underpinned by immense, largely undeserved wealth. Ugh.
Victoria Beckham
There are obviously interesting things to be said about both Victoria Beckham and her struggles with vocation, self-image, self-worth. But for whatever reason, this three-part series opted not to explore them. Instead, the viewing was akin to reading a sales catalogue. She obviously has every right to bridle at what she describes as her “miserable cow” image. But unfortunately, she failed to do herself any helps with this guarded non-event of a series.
The Inheritance
It had the potential to be the next cultural phenomenon – except even camper, with a glamorous star as a deceased benefactor and a sharp-tongued personality managing her inheritance. What more could you want? As players competed, there was plenty of betrayal and arguing. But the rules quickly became bewildering: it’s still too confusing to explain what exactly was happening. Even more disappointingly, we only saw glimpses of the star via prerecorded videos. The show ended up reeking of a production that was straining desperately to emulate something way beyond it.
The Lena Dunham Romcom
How does one follow a show that defined a generation? The expectation was immense for this glitzy romcom about Jessica, a rosy-eyed New Yorker who arrives in London with a broken heart. The lead actress took her biggest role by the horns and was joyous to watch, embodying Jane Austen levels of romantic ideals. But it was all very glossy and, ironically, was not enough. Plus, the sheer amount of famous cameos involved felt uncomfortable.
Mitchell & Webb Are Not Helping
Not even good enough to be ‘uneven’.
Given the shrewd inclusion of talented younger comics, expectations were high. But unhappily, most of it didn’t land. A particular sketch was a one-note joke stretched to a dry pulp but repeated in every episode. One star seemed too willing to slip into a well-known ranting mode. The writing room sketches, meanwhile, simply inspired the thought that they should probably have remained in there a bit longer.
The Knox Dramatisation
This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely showcased the perspective of Amanda Knox. So, while there probably is an interesting drama to be made about the horrific 2007 murder, this isn’t it. The material needed to be treated with care. Instead, the series struggled painfully to find the right voice, lurching from strangely breezy, somewhat stylised farce to ultimately, real-life horror. Complex? Perhaps. A complete mess? Very much so.
The Maths Genius Thriller
We love the star … but did we buy him playing the greatest maths genius in history, a man so smart he’s on the verge of a discovery that could destabilise society? No! This globe-trotting thriller about government agencies spying on – and eliminating – academics honestly got more absurd by the second. Formulaic nonsense.
1000 Men and Me: The Bonnie Blue Story
This hagiography followed the online personality renowned for sexual escapades as she prepared for her most extreme feat yet. What on earth would possess her? What we craved was way more interrogation of her true psychology, plus those of the men in the queue. They could at least have spoken to the now-famous mum who showed up to haul her son out of the queue. What we got was horrific imagery and zero critical analysis of her infamy whatsoever. And to think, the filmmaker has a young daughter too.